By Richard Gray, Owen Robinson
From slave narratives to the Civil conflict, and from kingdom track to Southern activity, this significant other is the definitive advisor to the literature and tradition of the yankee South.
- Includes dialogue of the visible arts, song, society, background, and politics within the quarter
- Combines therapy of significant literary works and old occasions with a survey of broader issues, routine and matters
- Explores the paintings of Edgar Allan Poe, Mark Twain, William Faulkner, Zora Neale Huston, Flannery O'Connor and Eudora Welty, in addition to these - black and white, female and male - who're writing now
- Co-edited by means of the esteemed pupil Richard grey, writer of the acclaimed quantity, A heritage of yankee Literature (Blackwell, 2003)
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Extra info for A Companion to the Literature and Culture of the American South
Louis D. (1975) William Elliott Shoots a Bear: Essays on the Southern Literary Imagination. Baton Rouge, LA. , Louis D. (1989) The Edge of the Swamp: A Study in the Literature and Society of the Old South. Baton Rouge, LA. , Louis D. and Kilpatrick, James K. ) (1957) The Lasting South: Fourteen Southerners Look at their Home. Chicago. , Louis D. et al. ) (1985) The History of Southern Literature. Baton Rouge, LA. Sale, Kirkpatrick (1975) Power Shift: The Rise of the Southern Rim and Its Challenge to the Eastern Establishment.
1996) The American South: A History. New York. Dameron, J. Lesley (1986) No Fairer Land: Studies in Southern Literature Before 1900. Baton Rouge, LA. Daniel, Pete (1986) Standing at the Crossroads: Southern Life Since 1900. New York. Davis, Richard B. (1978) Intellectual Life in the Colonial South, 3 vols. Baton Rouge, LA. Degler, Carl (1974) The Other South: Southern Dissenters in the Nineteenth Century. New York. Dunn, Joe and Preston, Howard L. ) (1991) The Future South: Historical Perspectives for the Twenty-First Century.
What we have now, in short, is an extension of what we have always had: different, developing social formations that those writers who are experiencing them choose to identify in regional terms – or, at least, choose to mark out using ‘‘South’’ and ‘‘region’’ as part of their fictional vocabulary. ‘‘With us Western civilization ends’’: Southerners, some of them and Southern writers especially, may be haunted by the imagination of disaster and the sense of an ending, but what the story Southern self-fashioning tells us, if it tells us anything, is that endings are also beginnings and that it is possible to survive and even triumph over disaster.