A Painter’s Year in the Forests of Bhutan by A. K. Hellum

By A. K. Hellum

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In Bhutan, there is no such thing as an anticipated breakdown. There either is a breakdown or there is none. To plan for a disaster which has not occurred is in the realm of paranoia, not reality. I remember one day when the water supply to my apartment had failed yet another time, and I drove into Thimphu to buy breakfast at the Druk Hotel rather than worry about what was wrong. As I parked my car by the hotel, by some open ground, I heard a rattling sound as the wind blew around the corner of the hotel.

She had made up her mind not to have the operation after all. Because she spoke Shashop, the language of eastern Bhutan, Rinchen had to translate into Dzongkha for the doctor. There was considerable talk between mother and son, but very little was translated for the doctor or for the ears of others, nor did ^ Pleione sp. D. Don Summer Rinchen translate all that the doctor said to his mother, judging by his short communications. The air was filled with feelings and apprehensive gestures. Finally a decision was reached.

He had told me that the mountains are unstable in Bhutan and weather is indiscriminate in its harshness during monsoon rains, and in winter with snows and ice. The roads follow the paths of least resistance and that is how it must be. Somehow, because the roads have been built by hand, this way, they fit into the countryside, and they seem so natural and unobtrusive. ) Cullen A Painter's Year in the Forests of Bhutan a high-altitude rhododendron 26 The/ C/hft/nAtyptyMfr VCWMAV ify naW&W, and the road up to the fir logging is vulnerable to washouts during the summers.

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